The Mischief Maker

In a time when people are traumatised, shocked and particularly vulnerable, the mischief maker comes to the fore and sets about causing as much distress, confusion and fear as possible. They spread misinformation, create and inflate rumours and cause unrest. To what purpose? Their own enjoyment of of course. You can be sure that whenever there is a natural disaster, they will surface, like cockroaches scuttling out of a drainpipe. In the recent floods in Brisbane and the surrounding areas, warnings were consistently issued by the media to check the sources of information, particularly on social network sites, where rumours and misinformation abounded.

I was reminded of the Burmese folktale about the mischief-maker's tree, or the 'gon-bin' and I think it a most appropriate tale in light of understanding the power of the mischief maker. This is my retelling of this tale.

The Mischief Maker

Many centuries ago a raft carrying three people washed up onto the shore of the Burmese coast. They had all been banished from their country for the following reasons. One man was a thief who had stolen food, a woman was accused of witchcraft and another man a mischief maker who told lies about people.

When the King heard of the new arrivals he ordered hi ministers to give a thousand pieces of silver each to the thief and the witch and the mischief maker was to be executed immediately.

The King's courtiers were shocked and asked the king why he had decided thus. The King replied.

The thief stole because he was hungry and if he is given enough money to grow his own food, then he will have no need to ever steal again. The witch too is poor and was envious and unhappy. If she is given money she too will have enough to live on and be a good person. But the mischief maker will always be a mischief maker.

So the mischief maker was taken to a beach and beheaded. The next day one of the King's courtiers saw the head on the beach, its eyes and mouth wide open and it spoke.

'Tell your King to come and bow before me or I will knock his head off.'

The courtier was so shocked, he ran back and told the King. But the King did not believe him and accused him of making fun of him. The courtier convinced the King to send another courtier with him to witness the mischief maker's words. The King agreed to send another man, but when he appeared before the head, it said nothing. The courtier returned to the King and the King in anger, ordered the first courtier to be taken to the execution grounds and be dispatched for lying.

When the mischief maker saw that he had caused the death of another he laughed at the executioner and said.

'I may be dead but i can still cause trouble.'

The executioner reported what he had heard to the King, who was filled with remorse for what he had done.

He ordered that the only way to stop the mischief maker was to bury his head deep in the sand. the executioner did that, but the next morning a strange tree gre in the spot. It grew and grew and finally it produced a most unusual fruit. It was shaped like the mischief makers head, complete with two eyes and a mouth. The King took the fruit and shook it and to his surprise he heard a gurgling sound inside, as though the mischief maker's spirit was inside whispering his lies. 

The 'gon bin', which is now called 'ohn bin', in English is known as the coconut palm. 

Source: http://www.pitara.com/talespin/folktales/online.asp?story=69

Photograph by Roman W. Schatz

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Visions and Illusions

My daughter related a tale of her friend having a series of visions. One such vision was of a character from a computer game she played, being present in the room with her. When her friend told her mother of these visions, the mother immediately began researching biblical interpretations of them! My daughter's response to her friend's confession, was to tell her that she was spending too much time playing games on the computer. 

I thought her pragmatic approach was possibly a more useful one for her friend to keep a handle on reality. It also challenged me think about what I see, how I perceive it, and who shares my vision. 

Late last week a tragedy took place in Australian waters when fifty Iraqi, Iranian and Kurdish people drowned. They were passengers on a small boat heading from Indonesia to Australia. Refugees. Could their deaths have been prevented? Ian Rintoul, founder of the Refugee Action Coalition, an Australian refugee advocacy group sees that the Australian government contributed to the deaths of these people in the following ways: Australia pressures Indonesia to detain asylum seekers, regardless of whether they are mandated refugees under the U.N. High Commissioner for Refugees (UNHCR). Seekers are held in detention centers sometimes funded by the Australian government. Until this year, Australia did not routinely resettle UNHCR refugees from Indonesia. This year, the Australian government said it will take 500 refugees from Indonesia, although, so far, fewer than 100 have been resettled, and the government has not guaranteed numbers for the future. It sometimes takes months for UNHCR to register asylum seekers and then more months for those claims to be processed. Once determined to be refugees, they can wait years for the UNHCR to find a country willing to resettle them. Understandably, other resettling countries consider asylum seekers in Indonesia to be Australia's responsibility. The lack of any guaranteed resettlement is another powerful incentive for asylum seekers to take the boat journey from Indonesia to Australia.If Australia were willing to process asylum seekers and guarantee resettlement, far fewer asylum seekers would want or need to take the boat journey. Yet Prime Minister Julia Gillard's Labor government takes proportionally fewer refugees than was the case under the conservative John Howard government. Third, the Australian government's move to criminalize people-smuggling (and by association asylum seekers themselves) in Indonesia and Australia also provides a powerful disincentive for asylum boats to contact Australian authorities should they require assistance.

http://edition.cnn.com/2010/OPINION/12/20/rintoul.island.tragedy/

But how do we see tragedies like this? Can we convince ourselves that it is awful but inevitable, or of no concern to us, because there's nothing we can do anyway? Do we look for a justification of our response, or lack of one, to what we see? Or do we simply interpret our experience to suit our beliefs?

Truth tellers and whistle blowers; those people who have had the veil of deception lifted from their eyes, are punished and, or ostracised. Witness the demise of the Wikileaks founder, Julian Assange. They can also suffer the curse of Cassandra, the Trojan princess, a visionary, but doomed never to be believed. 

Once you 'see', you cannot 'unsee', but you can choose whether to speak about what you see.

This brings me to a folktale of Celtic origin, that assumes the existence of parallel worlds; that of mortals and the mystic world of fairy folk. Just because you can't see them, does that mean that they're not there? I value this tale, not because I'm an exponent of the world of fairy, but because, like so many folktales, it offers a vision for us to understand our lives and the lives of others. It also serves to show both the power and vulnerability that comes with having 'the sight.'

Pali the midwife, was preparing supper when she heard a knock at the door and before stood one of the fairy folk, begging her to come quickly to the assistance of a fairy princess who had need of her presence to safely deliver her baby. 

Pali immediately took her bag and climbed onto the back of the horse the fairy man brought. Off they went at a gallop, and Pali felt as though the horse's hooves barely touched the ground as they rode into the night. Finally he stopped outside what appeared to be a grand palace. He led Pali through a torch lit hallway that opened into a chamber where the Fairy princess lay in childbed.

In due course the fairychild was born and the fairy princess bade Pali to rub the child with a special ointment, but to be wary of getting the ointment anywhere on her own self, except her hands. Over the next few days Pali looked after the mother and child. It was a strange place she had been brought to. She saw no-one but the princess and her baby and yet food appeared each day. One morning after she rubbed the newborn with the ointment, she felt her eye itch and without thinking, rubbed it. Some of the cream on her fingers went into it. From that time on, she saw the fairy folk. They came and went, chatting with the fairy princess and bringing her tasty morsels of food to eat. That evening Pali said to the fairy princess that she should sleep early today because she had so many visitors.

The fairy princess turned to her and flashed an angry look.

'So you disobeyed me and rubbed your eyes with the ointment,' she accused.

Pali was embarassed and nodded.

'Quit by accident, though,' she said apologetically.

'Then it is time for you to go,' said the fairy princess, and she deposited a purse filled with gold coins into her hand.

Pali was escorted by the fairy man back to her house. The following day she told the village people about her adventures and come market day, she was able to see the presence of the fairy folk trading amongst the stalls of the villagers. Often she would see the fairy folk going about their business, and she would let the villagers know if they were ever up to mischief. One day, while at the market, she saw a grand procession. There in the centre was the fairy princess herself. Pali ran up to greet her.

'How lovely to see you here,' said Pali.

'You have no right to be seeing me at all,' hissed the fairy princess, and spat in Pali's eye.

When Pali rubbed her eye, the fairy folk had vanished. And though she looked for them day and night, she was never able to see them again. 

Sources: Celtic Folklore, Welsh and Manx, by John Rhys  (1901) e-text at the Internet Sacred Text Archive

www.sacred-texts.com/ neu/ cfwm/ index.htm

Stories of Wales: Forty-one tales from the Celtic heritage told for children by Elizabeth Sheppard-JonesJohn Jones Publishing Ruthin, North Wales Âİ 1997


Photo 'visions and illusions' Âİ Roman W. Schatz 2010
Vision

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You will reap what you sow

What is a human being worth? Who is worthy and who determines worthiness?  Who is more worthy? Blackskin, Brownskin, Whiteskin, Oldskin, Newskin? Are all human beings worth saving?  Is some life more sacred than others? It is necessary to contemplate these questions to understand why the Western world has been so slow and parsimonious in its response with aid to the devastation of Pakistan by floods. Here is an opportunity to show the people of Pakistan that we really care about their plight, and that we will support them not only in their time of urgent need, but in the years to come. For we will reap what we sow. If we are to sow the seeds of democracy and freedom then we must begin with the action of humanity and respond swiftly and generously with aid. 

A Good Deed - A Pakistani Folktale retold by Morgan

There was once a young man whose time had come to journey from his village and collect the young woman he was betrothed to. He dressed himself in his finest clothes, mounted his horse and set off. He soon found himself in the midst of a jungle and it was there that he came upon a fight between a snake and a mongoose. He dismounted and watched the scene before him. The creatures were in fierce contention and he thought that if he could separate them, then it was possible that neither would be too badly hurt. However, every time he intervened the mongoose fought harder and looked to be overcoming the snake. Finding that his peace making efforts did not prevail, he drew his sword and with deep regret slayed the determined mongoose. He then continued on his journey, but not very far, before the snake had intercepted him. Thinking that the snake was going to thank him for saving its life, he was quite shocked when it announced that it was going to eat him. The young man protested, saying that he had just saved his life and for this good deed he was going to be killed.                                                    "Surely," he said, "one good turn deserves another. Where I come from this is what we believe."                                                            

  "Well in this country, the customs are different, and good deeds are returned with evil."                                                                        

The young man argued for a long time with the snake, but to no avail. In the end the snake agreed to the young man's request to go about his business and return to this spot in eight days, to be eaten. So he was allowed to continue his journey and after a week he and his new wife took their seats in the bullock cart and made their way back to the jungle. When they arrived at the appointed place where the snake lived, the bridegroom climbed down from the cart and announced his arrival.                                                                   "Snake, I have honoured my promise and present myself to be eaten."                                                                                              

 His wife was surprised by her husband's words, but climbed down from the cart and stood beside him. The snake slithered out of his hole and coiled himself around the young man's leg.                                                                                                                                  

  "Why do you wish to eat my husband?" she demanded.                                                                                                                              

 The snake told the story of how the man had saved his life and explained the custom of returning good with evil. The young bride was outraged and asked how such a custom came to be in the first place. The snake answered.                                                            

 "Go to the five talli trees that stand over there and you will find out why."                                                                                                  

The bride did as she was asked and addressed the trees. The first tree told her their story.    

You can see that there are five trees here, when once upon a time there were six. The sixth tree was the oldest of us and the trunk was hollow. One day a robber escaping from his pursuers came to our forest and seeing the cavity in the trunk, dived inside. He begged and pleaded to the tree to save him and the tree did, by closing the hole in the trunk, and there he passed the night in safety. The following morning the tree opened her trunk and released the man, so he made his escape to a nearby city. Wherever he went people remarked upon his scent. They could smell him, and a beautiful fragrance it was too. For the trunk of the tree contained sandalwood. One man went to the King and told him of the presence of a stranger who had brought a wonderful scent with him and that the king may wish to discover it. The king immediately summoned the thief and demanded to know where he got the fragrance from. The thief was anxious. The King said that he would not put him to death if he showed him the source of the scent. When the thief heard this, he told him his story and agreed to take the kings men to the tree. For in hiding inside the trunk, his clothes had been imbued with the fragrance and had never left him. The kings men set to work and chopped down the tree and carried it to the palace. Upon understanding what was happening the tree said,  "For saving the life of a man I am to lose my own life. From this time forth I decree that in this jungle whoever does good to another will be repaid in evil."          

Having heard the story, the young woman returned to her husband's side and sadly declared that she understood why the custom had come about. The snake smiled and advanced upon her husband with open mouth. The bride cried out in fear.                      

 "What about me? You will have to eat me first. I cannot live without my husband."    

When the snake heard these words he stopped.                                                                                                                                            

 "But you have not done me any good turns at all, so I cannot do evil to you."      

The snake was determined to solve the problem and crept back to his hole, and returned with two magic pills.                                        

"Here is your comfort for when your husband is eaten. Swallow these tablets and you will give birth to two sons who you can devote yourself to, and they in turn will care for you."                                                                                                                                             

The bride took the pills and once more the snake opened his mouth.

 "Wait," she said, "what about my honour. If I have two children and no husband then what will happen to my good name?"                    

 "Revenge is the best remedy for that," said the snake. "I have more pills and all you have to do is crumble one between your fingers and when the powder falls on your detractor's head, you will see them turn to ashes."                                                                                    

 The young woman took the handful of pills offered by the snake and immediately crumbled one and let the powder fall upon the snake.                                                                                                            

  "Do you mean like this?" she asked innocently, and watched as the snake turned to ash.                                                                          

 Then with a smile upon her face the bride turned to her husband and said, "Who ever does good to anyone, in the end good will be done to them, but who ever does evil to anyone, then in the end, evil will be done to them."                                                                                                                                        

And so they returned to their home together and lived in happiness and contentment with their children until the end of their days.

Source: Charles Swynnerton, Indian Nights' Entertainment: Folk-Tales from the Upper Indus (London: Elliot Stock, 1892), no. 42, pp. 133-38

Photograph You will reap what you sow by Roman W. Schatz

Reap


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Hans in Luck

On first appearances Hans im Glueck  appears to be the antithesis of The Drum, an Indian story I published in an earlier blog.  In the latter tale the wish is fulfilled but only when the seeker is prepared to relinquish everything he is given along his journey. Each gift increases in value until finally he has what he wants.  Inversely the seeker in Hans im Glueck begins with his fortune and in his journey trades it away.  Both of these stories are in my top 10 all time favourite folktales to tell. Like The Drum which also has many African variants and undoubtedly provenance in European and other Asian cultures, Hans im Glueck also has many variants. A. Steven Evans has written a wonderful analysis of its Bhutanese counterpart  Meme Haylay Haylay and the cultural importance of this particular folktale to the Bhutanese people. Arne Thompson categorises the Hans Im Glueck tales as type 1415: Trading away one's fortune. But what does a folktale about a boy (the archetype of the fool) who gives away his fortune, offer me, a middle aged woman living in the 21st century?
Like all folktales this one can be taken at face value. This is an entertaining chain tale about a foolish boy who gives away all he has worked for and ends up with nothing. It is easy to view the characters in the tale as charlatans, playing on the naivety of the lad and cheating him at each turn when he goes out into the world. And yet it is possible to also see this tale from another perspective; one where everyone gets what they want, especially Hans, who secures freedom from the burden of care and worry. He is happy. And that is ultimately what all human beings strive for. This tale serves me in two ways: to challenge the way I see  things and show me a path to experiencing happiness. In the words of the Dalai Lama,  Happiness is not something ready made. It comes from your own actions.

Hans im Glueck (Hans in Luck)

Hans worked for seven long years for the farmer and at the end of this time, went to him and asked for his wages. His employer was very pleased with the lad's work and paid him handsomely. He have him a lump of silver as large as his head. Hans placed it carefully in a sack and swung it onto his back and began his journey home.

Hans trudged along burdened by the weight of the silver. When a horseman trotted towards him he watched in awe. To travel freely along on horseback would be a treat. He dropped the sack on the ground and the rider stopped to greet him.

"Oh to ride such a fine pony," he said, "but I have to walk carrying along this lump of silver that makes my back ache. You wouldn't want to swap your horse for my silver ?" he asked.

The rider climbed down and examined the sack. His eyes lit up as he lugged the sack on to his back.

"Why that would be a fine trade," he said, and handed the reins over to Hans.

Hans mounted the horse, who immediately launched into a gallop. Hans hung on for dear life but when the animal jumped over a fallen log, Hans went flying through the air and landed on his backside in the middle of a ditch. The horse would have run off altogether if a shepherd leading a cow hadn't stopped him and brought him back to Hans.

Hans looked at the docile cow and smiled. 

"Now there's an animal who would never hurt anyone and what's more she's good company and useful. I would always have milk if i had a cow, and I could make cheese as well."

Hans smiled at the shepherd.

"Would you consider exchanging your cow for my horse?" he asked.

The shepherd was delighted and handed over the lead rope of the cow and jumped up onto the horse's back, gripped the reins firmly between his fingers, he trotted off.

Hans was hungry and took out a bread roll from his food bag. He would need some milk to drink with it. He took out his wooden cup and walked behind the cow and set about trying to milk her. But the cow was having none of it and gave him such a kick to the head that he lay dazed upon the ground. Luckily a butcher passed by pushing s pig in a wheelbarrow. He stopped and helped Hans to his feet and asked him if the cow grazing on the grass was his.

"Oh yes," he said, but she won't give any milk and certainly not any sausages like that fat gentleman you've got in your barrow. You wouldn't consider swapping your pig for my cow would you?"

The butcher rubbed his hands with glee and handed the barrow over to Hans and led the cow away.

A little while later Hans met a man carrying a fat white goose. The fellow stopped and looked at Hans' pig.

"Did you know that the squire on the farm over the hill had his best pig stolen?" he asked.

"Oh," said Hans, "you don't think that this is him do you?"

"Well, I know this beautiful goose is mine but where did you get the pig?"

Hans explained about the exchanges he had made and asked whether the countryman would consider exchanging the goose for the pig. The goose owner said he would be glad to take the pig off his hands and immediately gave him the goose and took the barrow and wheeled it away quick smart.

Soon Hans found himself in a village where he saw a grinder singing while he sharpened knives and scissors at his wheel.  He saw Hans and smiled at the fat goose he was carrying.

"You are a happy man with your trade. Why is that?" Hans asked.

"Because with a sharpening stone you will always have money in your pocket," he replied. "People always want their tools sharpened."

"Have you such a stone to exchange for a goose?" Hans asked.

The grinder reached into a basket and took out a large stone. The two exchanged goose for stone and Hans continued on his way, listening to grinder singing in a voice louder and cheerier than before.

Hans walked on till sunset and found himself on the banks of a river. He was tired from walking and carrying the stone, so set it down on the river bank while he cupped his hands and drank from the fast flowing torrent. When he had quenched his thirst he turned and knocked the stone which immediately tumbled down into the river. In no time at all it had disappeared. 

For a moment his heart sank, but unlike the stone it rose again, happy and light. Hans jumped up and dance a joyful jig. 

"My heart is light 

And my mind is free

There are none luckier

In the world than me.

Hans walked until he reached his mother's house and told her how very easy the road to good luck was.

References:

 

Evans, Steve (2007). “An Analysis of ‘Meme Haylay Haylay 
and His Turquoise’ using Joseph Campbell’s model of the 
Hero’s Journey,” Journal of Bhutan Studies, Vol.15.  
himalaya.socanth.cam.ac.uk/collections/journals/jbs/pdf/JBS_15_04.pdf

Children's and Household Tales ( Kinder- und Hausm¤rchen) 1812 by Jacob and Wilhelm Grimm 

Adrift

Artwork: Adrift by Roman W. Schatz

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fear death and cholera

How do we come to terms with the worst natural disaster, perhaps ever, in the world? When the death of one person can be devastating, how do we comprehend the deaths of hundreds of thousands of people? There is the initial killing by the 'event' but then there is the aftermath as the infrastructure is destroyed and disease and hunger set in. The figures may spiral to millions with no guarantees that recovery will be unhampered by further earthquakes. This raises the question of refuge. Where is a safe place for survivors to live? The right “to leave” a country, laid down in Article 13 (2) of the Universal Declaration of Human Rights, has no corresponding right “to enter” a country. Hence there are millions of people throughout the world, waiting in displacement camps or leaking boats to be allowed entry to a country where they can have the most basic of human rights; food, clean water and shelter. Ant³nio Guterres, the UN High Commissioner for Refugees stated that 80 percent of the world's refugees and internally displaced people are in developing nations, underscoring the disproportionate burden carried by those least able to afford it as well as the need for more international support. It also puts into proper perspective alarmist claims by populist politicians and media that some industrialised nations are being "flooded" by asylum seekers. Most people forced to flee their homes because of conflict or persecution remain within their own countries and regions in the developing world. Major refugee-hosting nations in 2008 included Pakistan (1.8 million); Syria (1.1 million); Iran (980,000); Germany (582,700), Jordan (500,400); Chad (330,500); Tanzania (321,900); and Kenya (320,600). Major countries of origin for refugees included Afghanistan (2.8 million) and Iraq (1.9 million), which together account for 45 percent of all UNHCR refugees. Others were Somalia (561,000); Sudan (419,000); Colombia (374,000), and the Democratic Republic of the Congo (368,000). Nearly all of these countries are in the developing world. (1)

So who will open their doors to the victims of the Earthquake in Haiti? Aside from throwing money, a reflex response to disaster and of course a laudable one because money is needed. Spending it on the 'right' things and getting it to the people who need it is another matter. I am interested in a change of individual attitudes, public policy and international law that allows everyone freedom of movement. But what if....? What if we were prepared to let go of our fears? Fear is what prevents people from opening up their hearts and homes to others. What do we fear? Loss? Change? If we really want to see justice served and that everyone enjoys basic human rights, then there must be an equitable distribution of wealth. After all how did the rich get rich? On the backs of the poor. The land, labour and resources of poorer nations and communities have provided and sustained the wealth of rich people and nations. The rich nations of the world must let go of their irrational fears of invasion and not only open their coffers, but also their borders. The only thing that should be left outside the border is Fear. 

(1)The UN Refugee Agency Website http://www.unhcr.org/4a3b98706.html  (19th June 2009)

Fear, Death and Cholera

Fear, Death and Cholera visited the Holy City of Mecca each year. Death and Cholera would meet the gatekeeper to the city and come to an agreement  as to how many victims they would take. Fear remained in her brother's shadows and slipped into the city unacknowledged by the gatekeeper. One year, Fear decided to visit the city alone and when she came to the gatekeeper, he did not know her, and let her enter. When Cholera and Death arrived later that year, the gatekeeper asked how many victims they would take.

'Not more than 500 I'm sure this time,' said Cholera. 

'And you Death, how many will you take?' the gatekeeper demanded. 

'As always, I will take only what Cholera gives me,' he answered.

Satisfied, the gatekeeper let them enter.

A month later, Death and Cholera left the city and upon arriving at the gate were stopped by the gatekeeper. 

'Open the gates, gatekeeper,' they demanded. 

'Cholera, how many victims did you take?' the gatekeeper asked. 

'Only 499,' Cholera answered, 'less than I said I would'

'And Death, how many did you take?' the gatekeeper asked. 

'I took more than a thousand,' he said.

'But you promised you'd only take what Cholera gave you!' said the angry gatekeeper. 

'Yes, I know that is what I said,' Death explained, ' But that is before I knew our sister, Fear had come to the city beforehand. You did not recognize her so you let her in. Most of those who have died were taken by her. Left alone to infect the people, she is capable of causing more deaths than Cholera!' 

Story Source:

The Three Companions

Indonesian Legends and Folk Tales
Told by Adele de Leeuw, Illustrated by Ronni Solbert, Published by Thomas Nelson and Sons, New York 1961

Hope by Roman W. Schatz
Hope

Filed under  //  Haiti   Indonesia   fear   folktale  
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the wooden sword

When I am asked to tell a story at a celebration I spend a lot of time in my choice of story. A friend recently turned 40 and her husband asked me to tell a story for the occasion. It presented me with a difficulty in that birthday celebrations are often rowdy affairs and people want to laugh and and dance...quite rightly so. There would be a band and I would have a short time in the bar to tell a tale. So what to choose? A bawdy tale with lots of opportunity for sexual innuendo, which would be enjoyed by all, but was such a tale in keeping with my friend's personality? We had never shared ribald and raunchy adventures together. Our friendship had developed through my annual visits to her school, as a storyteller.  Our conversations revolved around children, education and teaching and I had developed respect not only for her generous spirit, endurance and compassion, but also her resourcefulness as a a teacher and community leader.  I really wanted to honour her with a tale that reflected those qualities. So I forsook  the cheap laughs and focused on allowing the right story to come to me. A story about resilience, resourcefulness and faith. So the following tale seemed most appropriate. 
It is also a tale which I tell to remind myself that when faced with adversity a new direction will emerge, and all will be well.

There was once a King who desired to know the lives of the common people of his land, but he knew that if he was to truly find out he must disguise himself and walk among them. One evening he left his castle dressed in the clothes of a beggar and walked into the city. He wound his way through the narrow streets until he came to a small house and from within he heard to sound of a man singing an accompaniment to the tap, tap, tap of a hammer. The king was perplexed at why anyone working late at night would be happy enough to be singing.
He knocked on the door and it was opened by a cobbler, who took one look at the beggar at his door and ushered him inside. 
'Come friend,' he said, 'a guest is always welcome to share my bread and fire.'
The beggar king sat down at the cobbler's table and saw that he was just finishing resoling a pair of boots.
'I cannot help but wonder why a poor shoe mender like yourself is singing as he works into the night,' he said.
The cobbler smiled and brought a loaf of bread and jug of water to the table.
'Because, my friend, today my work brought me enough money to buy a large loaf of bread for my evening meal, and I can share it with you,' he said, and tore off a large hunk and passed it to the beggar king.
'But what if you have no work tomorrow?' asked the King, 'you won't have anything to sing about then.'
'I have faith,' said the cobbler, 'tomorrow all will be well.' 
After leaving the cobbler's company the King was angry. He could not understand such a naive belief and was determined to challenge it.
The following morning he issued a proclamation that all cobblers must cease work immediately. No shoes were to be repaired or made.
When the cobbler went to get water from the well at dawn, he saw the King's proclamation pasted up on the walls, banning him from work. He waited in line at the well and pondered on what he would do for the day. While standing there an elderly woman slipped with her bucket and spilt the water she had just filled. The cobbler immediately helped her up and then refilled her bucket. She thanked him and handed him a coin. The rest of the day he fetched and carried water for those to old or feeble to do do easily. Many of the people were so grateful they gave him money. That afternoon he had enough coins to buy a loaf of bread and a round of cheese.
The cobbler sang as he prepared to eat his evening meal but was disturbed by a knock at the door. 
Once again the King had disguised himself as a beggar and had come to see how the cobbler fared.
'Come in my friend,' said the cobbler, 'and join me for my evening meal.'
The beggar king looked at the cheese and bread and shook his head. 
'You disobeyed the King's orders and plied your trade,' he stated.
'No, I could not work on my shoes so I carried water all day for people and earnt enough to buy bread and cheese,' he said.
The beggar king frowned.
'What if tomorrow you can't carry water?' he asked, 'you won't have anything to sing about then.'
'I have faith,' said the cobbler, 'tomorrow all will be well.' 
After leaving the cobbler's company that evening the King was angry. He could not understand the naivety of the cobbler and was determined once again to challenge it.
The following morning he issued a proclamation banning water carriers. Everyone must carry their own water from the well.
When the cobbler went to the well at dawn, he saw the King's proclamation pasted up on the walls and pondered on what he would do for the day. While standing there a man staggered towards him,  carrying a load of wood in his arms.
'Let me help you?' said the cobbler. 
And he relieved the wood carter of his burden and carried the wood for him.
The wood carter was impressed with his strength and asked him to help out.  The rest of the day he carted wood and at the end of the day he had earned enough money to buy bread, cheese and wine.
The cobbler sang as he prepared to eat his evening meal, but was disturbed by a knock at the door. 
Once again the King, in the guise of a beggar, had come to see how the cobbler fared.
'Come in my friend,' said the cobbler, 'and join me for my evening meal.'
The beggar king looked at the bread, cheese and jug of wine in astonishment.
'I see you have disobeyed the King's orders,' he said,  and  smiled to himself. 
'No, I could not  carry water so I carted wood all day and earnt enough to buy bread, cheese and wine,' he said.
The beggar king frowned.
'What if tomorrow you can't cart wood?' he asked, 'you won't have anything to sing about then.'
'I have faith,' said the cobbler, 'tomorrow all will be well.' 
After leaving the cobbler's company that evening the King was in a fit of rage. He would challenge the cobbler's faith and win.
The following morning he ordered his soldiers to round up all the wood carters and recruit them for the new palace guard.
When the cobbler went to his wood carting friends at dawn, he found himself hustled to the King's palace, given a uniform and sword and told that he now had the honour of being a palace guard. The rest of the day he spent marching. At the end of the day he was dismissed with a command to return for duty the next day at dawn.
When he asked the captain about payment for his new position, the soldier laughed.
'You will be paid at the end of the month,' he said.
The cobbler walked away and wondered how he could get enough money to buy his evening meal. He touched the hilt of his sword and had an idea.
Next door to the cobblers was the money lender, who upon receiving the cobbler's new sword, gave him enough money to buy food for the next three months.
The cobbler bought bread, cheese and wine and went home. He then took out his carving materials and a length of wood and set about fashioning a wooden sword.
That evening the beggar king returned to the cobblers, certain that he would find him desolate.
But as he knocked on the door, he heard the sound of the cobbler singing, and when it was opened he saw the cobbler had a fine meal set upon the table.
'I was expecting you,' said the cobbler, 'come and join me for I am now a palace guard.'
The beggar king frowned.
'I know the palace guards are paid at the end of each month, how did you come to have money to buy food?' 
The cobbler laid the wooden sword on the table.
'With this,'he said. 'I have exchanged my sword for money and when I am paid at the end of the month I will buy it back, but till then I will have this wooden sword in my scabbard.'
'And what if you are called upon to use your sword? asked the beggar king.
'Then I will have faith that all will be well,' he said.
The beggar king smiled because now he knew he had trapped the cobbler.
He hurried back to the castle, removed his disguise and commanded his captain to remove a prisoner from the palace dungeon.  He was to be publicly executed in the village square the following day at dawn, and the executioner was to be the cobbler who had joined the palace guard.
When the cobbler arrived at the palace the following morning he noticed  a great crowd was gathering at the village square. Word had spread there was to be the execution of a thief.
The captain of the guard commanded the palace guard to march to the village square and there one of them was to be chosen to execute a thief.
The thief knelt upon the ground in front of the palace guard, protesting his innocence.
'Is it a crime to feed your family?' he pleaded, 'what I took was for need not greed. Spare my life, please.'
The captain of the guard looked the cobbler in the eye.
'Remove the thief's head,' he commanded.
The cobbler clutched the hilt of his sword, knowing that if he withdrew it, then his act of substitution would be deemed treasonous and he too would be executed.
For a minute he stood, looking at the prisoner's desperate face. He then averted his eyes, took a deep breath and faced the assembled crowd. 
'If this man be innocent as he claims to be, let my sword be changed into wood,' he declared.
He then withdrew the sword and raised it up high.
There was a gasp from the crowd as the wooden sword appeared like a beacon in the air.
At that moment the King strode forth and addressed the crowd.
'Do you know who I am?' the King asked.
'You are the King,' replied the cobbler.
'I am your guest, having eaten at your table for the past four nights.' 
The cobbler looked closely at the King with a dawning recognition.
'You are always welcome to dine with me,' said the cobbler, 'although I thought a King may have preferred finer fare than what I could offer.'
'What about me?' demanded the prisoner, seizing the opportunity to secure the King's favour.
'Ah yes, the miracle of your innocence,' said the King, and smiled. 'Your freedom is restored,' and he dismissed the prisoner.
As the crowd dispersed the King turned once more to the cobbler.
'I am in need of an adviser,' he said.
The cobbler smiled at him and handed him his wooden sword.
'Have faith. All will be well.'

 Souces for the story:
Doug Lipman provides a number of sources for the story.
Dov Noy's Folktales of Israel, University of Chicago Press, 1963. Another, essentially similar, Jewish version from Afghanistan is in Howard Schwartz's Elijah's Violin, Harper and Row, 1983. This story is sometimes attributed to Rebbe Nachman of Bratslav, 1772 -1810)who retold and interpreted it. The basic plot is also known in Turkey and Uzbekistan, as well as in Finland, Germany, Italy, Czechoslovakia, and Greece.
This story has appeared in Best-Loved Tales Told at the National Storytelling Festival and in an anthology by Colin Greer and Herbert Kohl--as well as on my audiotape, Milk from the Bull's Horn: Tales of Nurturing Men by Doug Lipman
I first read the story in Heather Forest's book.
Wisdom tales from around the world by Heather Forest. Publisher August House, 1996

let go!, mixed media on wood panel by Roman W. Schatz
Letgo

Filed under  //  Afganistan   folktale   jewish  
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Just enough left

Earth provides enough to satisfy every man's need, but not every man's greed. 

Mahatma Gandhi (1869 - 1948)

Boxing Day, December 26. 2009 was the Non-Profit organisation, Do Something's inaugural National Leftovers Day.  Their goal is to reduce food waste and its environmental and financial costs, and they believe that Christmas time was the ideal time to launch their campaign.  Their research shows that Australians waste over $5 billion worth of food per year, thats over 3 million tonnes, and that food waste peaks in the festive season when, according to 2008 figures, Australians spend $7.6 billion on food in December alone. Their FOODWISE website http://tinyurl.com/y9429hw includes information about cutting down on food waste with a good selection of recipes for using leftover food. 

When I first saw the website I couldn't believe that people needed to learn how to use leftovers! But then food has always been like a chain story for me, for example roasted meat leftovers become cold meat sandwiches or topping for pizza and the carcass is boiled up to make stock for soup.  Fritatas are filled with leftover vegetables and curries and noodle dishes are the repository of many a leftover pulse, vegetable or meat. The process of food metamorphosis continues, until leftovers of the leftovers of the leftovers find themselves in the compost, feeding the worms. 
But then I'm someone who buys and wears second hand clothes... and I mend them, I reuse containers and get my books from the library. Cooking leftovers is endemic to my lifestyIe. I have my parents to thank for this. Growing up on a farm in the 1960's meant knowing where what you ate came from, and where everything ended up. There were no garbage or recycling trucks. What couldn't be used was burnt or buried. As most of the food production was on the farm, there was little packaging and what tins we had became pot plant holders or containers, glass jars were used for housing homemade jams and pickles, and as for plastic? What plastic? Our clothes were passed down from one kid to the next, and when finally worn out they went into the rag bag. Underpants were my mother's favourite dusters. So as a beginner storyteller, when I heard the following story, I was enraptured. Not only did it tickle my sense of humour, it was a story that spoke of my life. Thank you to American storyteller, Colleen Sutherland, for telling this story. Since I first heard it I have told it to many groups of older women who have loved it, because it is the story of their lives too. There are versions of this tale in many traditions and cultures. It is one of the stories that can help guide us in our choices to help save our planet.

Just enough left

There was once a young woman who worked from sunrise till candle stump sewing clothes. She darned socks and patched shirts, she mended trousers and hemmed skirts. Day in, day out, plied her needle, all the while hoping that one day a customer would bring her material so she could create something beautiful.
One morning just before dawn, she wakened to the sound of knocking, She left her bed and climbed down the stairs from the attic and opened the door. The street was deserted and yet at her feet lay a bolt of material. Who could have left it? The girl lifted it up lugged it up the stairs to her room.  She opened her curtain to let in the first rays of sunlight, then laid out the cloth on the floor.  She sat on her bed and looked at the shimmering white silk in wonder. Before her eyes she saw a vision of what it could become. The tailor went to her sewing box and took out her scissors and immediately set about cutting the cloth. 
Snip, snip snip. There was just enough material left to make a wedding dress.
And as fate would have it, it was the tailor herself who wore the dress the following Spring. One of her customers, a gentleman, very impressed with her invisible mending had come courting the young woman and fallen head over heels in love with her. And when she appeared in her wedding dress, everyone gathered to celebrate the union gasped in amazement at its beauty. None more so than the groom himself.
With goblets brimming with sweet red wine, they drank to the health of the bride and groom, but when the bride, in her nervousness, took her own cup, it slipped and spilt down the front of her wedding gown.
That evening she soaked it but knew that no amount of salt would be able to removed the stain. Sadly she dried it and bundled it away in her trunk, determined to do something with it after her honeymoon.
Upon her return from travel, the tailor moved into the house of her husband and took with her, the scant belongings. She set up her sewing room and opened the trunk. There was the stained wedding dress, which she laid out on the table. It was such a shame to not use it, but as she stared at it she had an idea. She took out her scissors and immediately set about cutting the cloth. 
Snip, snip snip. There was just enough material left to make a cape.
Now that she was married to a gentleman, she was invited to many balls. She and her husband would dance the night away and arrive home in the early hours of the morning. All the ball goers remarked on the shimmering  twirl of her cape. It was one morning in late autumn when she sat in the warmth of her kitchen with her feet up on a stool, that she chanced to look down at the hem of her cape. It was  mud stained and tattered. She removed it and lay it over a chair.
'Such a shame,' she thought, knowing she could no longer wear the cape, 'if only there was another use for it.' But as she examined it, another idea popped into her head.  She took out her scissors and immediately set about cutting the cloth. 
Snip, snip snip. There was just enough material left to make a baby's gown.
As Fate would have it, the following summer a bonny baby boy was born to the young wife, and to celebrate his birth, she dressed him in the beautiful silk baby's gown. Over the next eight years, three more babies were born and each of them wore the silk gown. The last child was a little sickly, nestled in his mother's arms in the midst of all the family and friends gathered together to celebrate his birth. Without warning he possetted over the gown. That evening she soaked the gown and dried  and then she looked at the stains on the front and as she carefully folded it up to put away she thought, 'what a shame to put it away. There must be some use for it.' 
But as she examined it she had an idea. She took out her scissors and immediately set about cutting the cloth. 
Snip, snip snip. There was just enough material left to make a hat.
Over the next twenty years the mother was very busy raising her children and her attendance of balls was curtailed and replaced with activities more in keeping with that of a bustling wife and mother. She went to  fetes and garden parties and always wore her white silk hat. One evening after a hectic afternoon helping out at a charity party she returned to her kitchen and sat down on her favourite chair and took off her hat. She was just about to place it on the table when she spied the perspiration marks around it's band.
'How unseemly,' she thought 'for a lady to wear a sweat stained hat. I must get rid of it. But what a shame when it has served me so well.' It was then she had an idea.
She went to her sewing room, fetched her scissors and returned and  immediately set about cutting the cloth. 
Snip, snip snip. There was just enough material left to make a pocket for her apron.
The birth of her first grandchild was an occasion for celebration, and soon it was followed by another and another. It seemed the grandmother was working harder than ever and was never seen without an apron on and a duster or tea towel in her hand. But she always found time for the grand children clustered around her ankles. She would reach into her apron pocket and retrieve a sweet or a toy, a magic string or a finger puppet to amuse or console the little ones. One day she reached in and found her fingers had slipped straight through what had now become a frayed patch.
With great sadness she took off the apron and stared at the pocket.
'Such a shame,' she thought, knowing the pocket was no longer useful, 'if only there was another use for it.' But as she examined it, she had a thought.  She took out her scissors and immediately set about cutting the cloth. 
Snip, snip snip. There was just enough material left to make a covering for a button.
When she had made the white silk button cover she attached it to the waistcoat of her youngest grandchild's vest. The little boy looked very proud in his brand new outfit sewn by his grandma. He jumped around the house, ran outside and wrestled with his older sister on the grass and then it happened.
Pop!
The button flew off the vest and rolled down the path until it fell with a splash into a mud puddle. The grandmother arrived just in time to see its demise. She walked down the path and fished it out of the water. She held it in her hands and remembered what it had been. 
'Such a shame,' she thought, knowing the button was no longer useful, 'if only there was another use for it.' But as she examined the mudstained, soggy scrap, she had a thought. 
'There is just enough material left to finish the story.'

Artwork Inconstans by Roman W. Schatz

Incostans-sml

Filed under  //  chain   environment   folktale  
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The Drum

This tale has evolved in meaning for me over the years I have been telling it. In my first tellings I saw it simply as a tale of  'exchanges' advocating that we all have something to exchange with each other. A few years later I described it thus;  ' A chain tale with variants throughout the world. In this version the child wishes for a drum and through his own generosity initiates a process of exchanges and eventually has his wish granted. The drum is a metaphor for the folktale. Only when we freely give it away through the act of telling do we unleash its power to serve and transform our lives.'
Now I see this tale also as a metaphor for letting go of attachments. If we are to move on and experience all that the moment has to offer, we must be prepared to release whatever we are holding on to.
Every 'thing' has a purpose, but what many of us tend to do is horde 'things' for a time when we think it may be useful. But if we are honest, these 'things' often clutter our space and clog up our lives.
It is the same with storytelling: the clangor of critical words, both real and imagined, clutter our minds and the fear of failure, ridicule and dismissal, clog our channels of communication. Tell the tale,  release your fear and receive love. The rewards far outweigh the risks.

THE DRUM

There was once a boy who wanted a drum. He would walk around pretending to play a drum and singing,
'Tum de dum, I want a drum te dum, tum te dum, I want a drum.'
One day his mother said that she was going to market and asked the boy if there was something she could bring back for him.
He replied,
'Tum de dum, I want a drum te dum, tum te dum, I want a drum.'
His mother smiled and went on her way.
After she had sold her wares she had a few coins left to buy rice and spices, but no money to buy a gift for her son. She looked around until she found a a straight, strong stick. She picked it up and took it home.
When the boy saw his mother his eyes lit up. 
'I have brought you something from the market,' she said.
The boy was excited. His mother held out her hand and gave him the stick.
'Thank you,' he said, knowing that his mother could not afford to buy him a drum. 
But he immediately began to tap the stick against his side and sing.
'Tum de dum, I want a drum te dum, tum te dum, I want a drum.'
He walked down the lane out of his village and soon came to an old woman sitting by her cook fire coughing and spluttering in a swirl of smoke.
'What are you doing Grandmother?' he asked.
'Can't you see I'm trying to light my fire but I have no dry wood and that's why its smoking enough to choke me.' she replied between coughs.
'I have a dry stick,' he said, 'take it.'
The boy handed the old woman the stick and she lay it on her fire. The flames immediately danced around it and the smoke soon disappeared. The old woman was delighted.
'Thank you boy,' she said, 'in return for your kindness have this chapati I made yesterday.'
She took the Indian flatbread from beside the fire and gave it to the boy, who smiled and continued on his way singing.
'Tum de dum, I want a drum te dum, tum te dum, I want a drum.'
Soon he came to a woman making a pot out of clay. Beside her a baby wailed loudly.
'Why is your baby crying?' he asked.
'Because he's hungry,' said the woman, 'but I can't get him any food until I finish making this pot.'
'I've got this chapati, he can have that,' said the boy, passing it to the baby, who took it and immediately stopping crying as he shoved it into his mouth and began to chew.
'Thank you,' said the mother, 'now I can work in peace. Please boy take that pot standing by the big one. I have no use for it.'
The boy took the pot and went on his way singing,
'Tum de dum, I want a drum te dum, tum te dum, I want a drum.'
It wasn't long before he found himself beside the banks of the river watching a washerman and a woman fighting.
'Why are you fighting?' demanded the boy.
'Its all her fault,' accused the washerman, 'she broke my best washing pot for all the silks.' 
'But if you hadn't left it standing around, I wouldn't have tripped over it,' countered the woman.
'I have a pot,' said the boy, 'why don't you use it?'
The boy handed the pot to the washerman who took it and thanked the boy.
'You have helped me out of a predicament boy, and I want to give you this coat as a way of saying thank you,' he said.
The washerman left and quickly returned with a large coat and hand it to the boy who took it and continued on his way singing,
'Tum de dum, I want a drum te dum, tum te dum, I want a drum.'
He was at the foot of the hills when he saw a naked man standing by a tree.
'Why haven't you got any clothes?' asked the boy.
'Because I've been robbed,' answered the man, 'and I'm freezing.'
'Then have my coat,' said the boy.
The man took the coat and put it on. It was then the boy noticed the horse tied up to the tree.
'I don't need that old horse now,' said the man, 'I've missed my appointment so I'll just walk back home. You may as well have him.'
The boy took the horse and continued on his way back towards his village. As he walked he sang,
'Tum de dum, I want a drum te dum, tum te dum, I want a drum.'
When he arrived back at the village he saw a great number of people all gathered in the centre, wearing their finest clothes. And yet there was none of the gaiety and excitement that accompanies such a celebration. Surely it was a happy event that the people had come to, but there was an aura of doom and gloom upon them.
'What is wrong,' asked the boy of one of the people.
The man threw up his hands in despair. 
'This is supposed to be a wedding we are celebrating, but the man with the horse has not come. The bridegroom must attend the wedding on horseback and if this does not happen the best time to be married will be past and the bride and groom will not be blessed with good fortune.' 
'Oh,' said the boy. 'I have a horse. The bridegroom can ride him.'
The man noticing the horse for the first time was filled with joy.
'Yes, I will take him straight away, and you boy, he said, looking around the gathering, 'you can have anything you want. Just ask.'
In the midst of the guests were the musicians, and in the centre of them were the drummers. the boy spotted the drum he wanted and turned to the man who had given the horse to the bridegroom.
'I want that drum,' said the boy.
The man paid the musician for his drum and handed it to the boy, who took it and made his way home singing,
'Tum de dum, I got a drum te dum, tum te dum, I got a drum.'
As he neared his house, the boy's mother cam outside to hear what the thumping sound was.
She stood and stared in amazement as her son came toward her.
'Where did you get that drum,?' she asked.
The boy smiled at his mother and replied.
'Don't you remember that you went to market this morning mother and you brought it back for me?'
The mother was puzzled, and never did work out how a stick could turn into a drum. 
But you know and I know and now we can tell the world.

Source: 
Ramanujan, A. K. (1991) A Drum. Folktales from India: A selection of oral tales 
from 22 languages selected and edited by A K Ramanujan, Pantheon Books 
New York. 

The Way Photograph © Roman W. Schatz 2009
Theway

Filed under  //  India   fear   folktale   love  
Posted

The Three Dolls

The following Indian story is one of my favourites. It is the story that guides my life as a listener.

The Three Dolls

There was once a King who received an anonymous gift. He servants brought him a box deposited on the steps of the castle. He opened the box and found inside a note and three dolls. The note read, 'Are you wise enough to discern the difference between each doll?'
The king removed each doll in turn and laid it out upon a table. For the rest of the morning he set about discovering how the dolls differed from each other. He examined them closely, bringing all his senses to bear, and by mid morning concluded that there was no difference at all between them. However, he was dissatisfied with his verdict and decided to call on a certified 'wise man' to inspect the dolls. 
The next day the chosen advisor sat before the King and listened to his request. He then closeted himself in the King's chamber and carried out his investigation. By evening he emerged and presented his findings to the King.
'I am unable to tell you anything about these dolls. There is no difference between them. Thank you.' And with that he left.
The King was stunned. All day the wise man had spent with the dolls, only to come up with the same conclusion that he himself had reached. In frustration he thumped the table and blurted, 'I may as well have asked a fool to look at them!'
As if on cue the door burst open and the court jester  cart-wheeled across the floor.
'You called your Highness,' he announced, 'how can I be of assistance?'
The king looked at the jester and replied, 'Well as a matter of fact you can't be any more useless than the wise man. Can you find any difference between these three dolls?'
The fool took the dolls with an exclamation of pleasure and began to juggle them.
The king watched the performance and at the end of the performance the jester replaced the dolls and bowed before the King.
'Your majesty I can say with all the certainty of a fool that there is no difference at all between these three dollies.'
'Dismissed,' grumbled the King, and the court jester left the room.
As the days passed, the King grew more obsessed with the dolls and finding their differences. Finally he called all of his advisors for a conference and one of them timidly but forward the possibility of a storyteller being called in.
The King was willing to try anything and so the local teller of tales was brought forth. A woman of a certain age and experience she listened to the King's story of the dolls and who had already tried and failed in their attempts to find the differences.
'She was,' he stated, 'a last resort.' 
He rose to leave the room so she could go about her business, but the storyteller bade him stay.
'Storytelling requires both a listener and a teller. '
Unused to being told what to do the King was a little taken aback.
'Now,' she continued, 'listen while I tell you a story.'
She picked up the first doll and looked at it. 
'I will need your assistance, your Highness,' she said, 'could you offer me your head?'
The king jumped up.
'You seek my crown?' he bellowed.
'No dear King,' she said, 'I have enough hats. What I want is this.'
So saying she plucked a solitary hair from his head and then proceeded to feed it into the ear of the first doll, until it disappeared.
'This is the doll of the wise man,' she declared. 'He listens, taking in every word and keeping it deep within his heart.'
She then requested the King to offer his head once more and subsequently plucked another hair. She then proceeded to feed it through the ear of the second doll and pull it out through the other ear.
'This doll,' she declared, 'belongs to the fool. What he hears goes in one ear and out the other.'
She then picked up the third doll and the King, anticipating her request lowered his head. She pulled out one final hair and proceeded to feed it into the ear of the third doll and then pull it out again through the doll's mouth.
'This doll is the storyteller's doll,' she said. 'What she hears she passes on to others.'
The King was thrilled with the storyteller's appraisal of the dolls.
'Which doll is the most valuable then?' he asked.
The storyteller smiled and addressed the King.
'There are times when you will be like the wise man and privy to stories that must be kept in the strictest confidence. Not shared with another person, but kept in silence in your heart. And there are times when you will hear tales that are not worthy of retaining or repeating but must be treated like the foolish words they are; going in one ear and out the other. And finally there are stories that you are beholden to pass on to others. Stories that must be kept alive through their retelling. Each of the dolls teaches us that everything has a value. Wisdom is knowing which doll to employ when we listen to another.'
And with that the storyteller bid the King farewell, and the King resumed his business, a wiser and happier man.

This Indian story is also known as The Three Statues and a source for it can be found online 

However in this version it is the wise man's statue is valued the most. In David Novak's version in Ready-To-Tell Tales edited by David Holt and Bill Mooney August House 1995, the storyteller is presented with unraveling the difference between them all and concludes with an explanation with an interesting twist, which I won't spoil for you but encourage you to read his version. 
As I mostly tell this story in a workshop situation I have chose to show the value of each method of listening, depending on its context.

headspace (2009),  wire sculpture, Roman W. Schatz

0head_space2

Filed under  //  India   dolls   folktale   listening  
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loss

I can't help but laugh at my forthcoming loss. Although yesterday I cried. Afterall women lose their breasts, people lose limbs and eyes, men lose hair. What is my loss, comparatively? Its not like the big losses, when a child, spouse or loved one dies.  And my loss can be replaced with a fake one. I was looking at the stories I know that speak to me of grief and was reminded of one of my favourites, The Buddhist story of The Mustard Seed. But I felt that story was really for the major grief a person experiences in their life. I hope it will be a while before I share it with you in a personal context. I was flicking through a book of Indonesian folktales when I came across this story. Appropriately, it is the Chinese Year of the Ox and I do have an affinity with the cows. My grandmother ran a dairy, I grew up with cows and as a mother spent five years of my life breastfeeding. Getting an education however saved me from being a beast of burden and for that I am thankful. So this is the story that has come to me as an aid for understanding and coping with my current exigency. 

Why The Buffalo Has No Front Teeth

It was the same day every day for the buffalo. His owner harnessed him to the plough and with a short stick, tapped his flanks to signal him to move forward. The buffalo pulled the plough across the ground, its blades churning up the soil in long straight furrows. Sometimes the buffalo veered off track and his owner hit him hard with the stick to urge him back in the right direction. Whenever the buffalo came to a grassy verge, he would stop to munch on the greenery, and once again his owner would whip him back to work. 
This day a python basking in the sun witnessed the buffalo being hit by his owner and whenthe buffalo finished work, just before sunset, the snake sidled up to him and berated the buffalo.
'Look at you, so big and powerful and yet you let yourself be dominated by that pathetic little man.' 
'I know it looks very odd, but men have a peculiar hold over me that I am powerless to resist,' replied the buffalo.
'Now thats ridiculous,' said the python, 'why if a man beat me then I would defeat him easily by crushing him to death.'
'Really,' said the buffalo, 'we shall see.'
The next day the python was caught in a trap and taken by men and crammed into a cage. The buffalo passed him later that afternoon and saw a child poking the snake with a sharp stick. 
'So,' said the buffalo,' what were you saying yesterday about easily defeating man.'
'I know it looks very odd,' said the python, 'but men have a peculiar hold over me that I am powerless to resist.'
When the buffalo heard the python say his exact words he laughed. He laughed and laughed so much that his front teeth became loose and in a final fit of hysteria they fell out. And that's why today the buffalo has no front teeth.

Source Indonesian Folktales
translated by A. Koutsoukis published by Rigby Limited, Australia © 1970

Photo:  Roman W. Schatz
Korean Changseung: carved wooden statue which stands  outside a village's main gate and guards against evil spirits. Usually found in pairs, with one on each side of the road leading to the village, the left one appeases the air spirits, while the right one appeases the earth spirits 

Tooth-tree

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